I wrote an article for The Society of Children’s Book Writers and Illustrators’ Words and Pictures Magazine about the evolution of SCBWI’s relationship with The Edinburgh International Book Festival, which you can read here:
Oh how I love August in Edinburgh! As soon as I walk through to Charlotte Square and breathe in the Edinburgh International Book Festival vibes it feels like I’ve come home. I was lucky enough to get through for all three weekends this year and even more privileged to be asked to chair two fantastic events in my capacity as one of the Network Organisers of the Scottish branch of The Society of Children’s Book Writers and Illustrators (SCBWI).
First up was ‘Picturing Pathways To The Future’ where my co-network organiser, Justin Davies, and I chatted to SCBWI members Jill Calder and Morag Hood about how books can help children navigate their way in an often daunting world. It was lovely to be up there with three friends and brilliant to see and hear about their creative processes and where they get their inspiration from.
On the final weekend we had another panel event with David Almond and Lauren James – ‘How To Be A Writer For Life’ – and, as before, the hour flew by. David and Lauren were so generous with their advice and insights in to the writing and publishing world and we could have spoken to them all day. I also attended both their other events the following day and enjoyed being in the audience for those and hearing more about their respective writing careers.
Of course, given that it’s the perfect place for writers to meet, it would have been rude not to arrange a Scottish SCBWI Social event during the festival! 😉 We’re so lucky to have such a friendly, supportive network and it’s always great when we have a chance to catch up with each other.
There are so many fantastic events scheduled throughout the festival with a host of authors from all over the world, and some of my favourite events were ones where I was introduced to new authors that I hadn’t read before.
Of course, no stationery/book addict can leave such a place without picking up some stationery and adding more books to their TBR pile, and here are a few that I picked up over the final weekend.
So that’s it for another year… Roll on August 2020!
So it’s April tomorrow already! Where did the first part of this year go?
I’ve been busy with various writing-related activities in my Chasing Time, SCBWI (Society of Children’s Book Writers and Illustrators), and Scottish Association of Writers guises, and there’s lots to report. Including a couple of exciting developments on the writing front and meeting a literary hero of mine…
But first up SCBWI.
In January we ran a Synopsis Teach-In in Edinburgh with the help of lovely SCBWI member and 2019 recipient of a New Writers Award from Scottish Book Trust, Sheila Averbuch. It was a packed event, with lively discussion on how to conquer the dreaded synopses.
Next up on the busy Scottish SCBWI calendar was a Scribble and Scrawl Crawl at the stunning new V&A in Dundee, where we were ably assisted on the illustration front by the very talented Jill Calder. This was a brilliant way to spend a morning and we couldn’t help but be inspired by the building and its exhibits.
Then earlier this month we ran an event for our growing published and agented network members with special guest Dawn Geddes, freelance journalist, Book Correspondent for The Scots Magazine and YA author, who spoke about the business of being an author and how to find your brand, build your platform and market yourself. Phew – it’s been busy in the world of SCBWI!
In between this, Sandra, Dawn and I ran a Tick Tock – Writing Detox Chasing Time Retreat in February covering editing, structure and prioritising your writing time. We had a great group of writers join us and it was a fantastic weekend.
The last two months have been particularly exciting personally as, first of all, I found out I had been longlisted in the Mslexia Children’s Novel Award. Aargh!
Then at the annual Scottish Association of Writers Conference last weekend I picked up the T.C. Farries Trophy for the Children’s Novel Category with my current YA WIP, ‘The Eyelash Dandelion’, as well as third place with a previous novel, and second in the Under 7s category too, so that was exciting! My writing group, Angus Writers’ Circle, did amazingly overall, with us taking home 17 placed entries, including 5 trophies between us.
All topped off nicely with a little welcome home message from the kids…
And as to that literary hero I mentioned? A major highlight of the year to date was attending an early Edinburgh International Book Festival event with the one and only Angie Thomas, which was chaired perfectly by Nadine Aisha Jassat. Angie is such an inspirational speaker and it was hard not to cheer after everything she said!
So, that’s my 2019 news to date – I hope you have all had a great start to the year too.
There are lots more exciting book/writing related things coming up over the next few months as well, but April looks surprisingly quiet, so think I’ll go and have a quick lie down to recover in the meantime. 😉
Our next retreat focuses on settings and characters, drawing inspiration from some gothic writing of the past. Here’s a little teaser from Sandra to whet your appetites…
Well, August came and went pretty quickly, huh? But what a month it was. Between managing to get lots of writing done on my own YA novel, Sixteen Again, whilst on holiday, to coming home and launching straight into the fabulous Edinburgh Book Festival, then formalising lots of arrangements for our first Chasing Time Writing Retreat in Angus at the end of the month, it’s been all go.
The Edinburgh Book Festival has quickly become a highlight of my literary year, and this year I was lucky enough to include an overnight stay in Edinburgh and to attend lots of author events, as well as two SCBWI (Society of Children’s Book Writers and Illustrators) crit groups in the Spiegeltent. Special mention has also to be made of the Unbound evening on the 18th, where singer/songwriter Genevieve Dawson ( @gdawsonmusic ) and novelist Sarah Perry ( @_sarah_perry ) in particular were amazing. (Watch out for Sarah’s book coming out – the writing is beautiful and I was seriously holding back tears by the end).
It was also the first time that I had heard Matt Haig speak, and he had us all spellbound, even as it was touch and go at one point as to whether the Bosco Theatre venue would be blown away by the fierce winds outside. And of course, there was the sold out SCBWI event, The Great Gender Debate, with authors Jonathan Stroud, David Leviathan and Kathryn Evans, ably chaired by the South East Scotland SCBWI Coordinators, Sarah Broadley and Anita Gallo.
I even managed to squeeze in a visit to Blackwell’s Writers at the Fringe to support my lovely author friend, Sandra Ireland, who was one of five authors reading from their books. (Check out ‘Beneath the Skin’ by Sandra if you love a slice of gothic noir and fantastically well-written novels).
So that brings me smoothly on to the writing retreats that Sandra, Dawn Geddes and I are launching, with the first one being at the end of this month. It’s come round fast and we’re really looking forward to welcoming all our guests soon. The venue is superbly atmospheric and bound to inspire, and I might even be able to squeeze some more of my own writing in over the weekend too!
The Chasing Time team
For more information go to http://www.chasingtimescotland.wordpress.com/retreats
Hope your own writing/reading is going well too – bye for now.
This is what it says about the book on Goodreads:
Inspired by Mrs Dalloway and Judy Blume’s Forever, Release is one day in the life of Adam Thorn, 17. It’s a big day. Things go wrong. It’s intense, and all the while, weirdness approaches…
Adam Thorn is having what will turn out to be the most unsettling, difficult day of his life, with relationships fracturing, a harrowing incident at work, and a showdown between this gay teen and his preacher father that changes everything. It’s a day of confrontation, running, sex, love, heartbreak, and maybe, just maybe, hope. He won’t come out of it unchanged. And all the while, lurking at the edges of the story, something extraordinary and unsettling is on a collision course.
My own thoughts…
This is the third Patrick Ness novel I’ve read (still have the Chaos Walking trilogy on my TBR pile which I must read soon) and, as usual, I loved it. I think what I most admire about Patrick is the fact that he takes risks when he writes and tries out unusual formats and/or concepts – if you haven’t read his short story in the ‘Losing It’ anthology edited by Keith Gray, you really should, it’s so clever.
Anyway, back to Release. I was so looking forward to this coming out (excuse the pun) and it didn’t disappoint. Adam is a great character, so well drawn, that you immediately empathise with him and his struggle for acceptance, and his best friend, Angela, is brilliant. A seriously kick-ass, got your back kind of best friend. I loved Linus, detested Enzo, and held my breath all the way through a pivotal scene with Adam and his father.
There is a mystical mythology type of story running alongside the main thread and I’ve seen this getting mixed reviews, but I thought it really worked, and that it was another example of Patrick doing something different in a way that only he can. The way that both threads tied up together in the end was almost poetic.
I would definitely recommend this to readers.
**** 4 Stars
I have been a member of Goodreads for some time now and think it is a fantastic site. However, I have not been the best at contributing to it in the past so, in my quest to become a better Goodreads user and also share some of my thoughts and recommendations about books and authors, I have decided to link my reviews to my blog. I hope you find some of them interesting – who knows, perhaps I will help you to discover a new favourite book in the process…
I read the first three chapters of this when my daughter got it from her Toppings’ Book Club as she was just finishing another book, and then I had to wait a couple of weeks to finish it, which was a challenge, as I was immediately hooked.
The story centres around brothers Griff and Dylan, who are in a terrible car accident where both their parents are killed. Dylan is worried that his younger brother is not coping well and we get a great sense of both their characters and their feelings throughout the book. It is in turns heartbreaking and heartwarming as we follow them both from New York to Aberystwyth via various flashbacks to the nearest faraway place, where we also get a good sense of their parents and what family life was like before the accident.
The story is beautifully written and very visual and, having not read any of the author’s other books before, I know I will be buying them now for both me and my daughter to enjoy.
***** Five Stars
I’m just back from this year’s Scottish Association of Writers Conference at The Westerwood Hotel (@TheWesterwoodQ) in Cumbernauld. And what another fantastic weekend it has been! The SAW Council work hard to put on such a great event and this year we had the biggest turn out from our writing group, @AWCAngus since I started attending a few years ago. It’s so good to be able to spend more time with friends and get to know each other better, as well as just generally soak up the buzz of being in the company of like-minded people. The icing on the cake is that we again came away with some prizes and placings in the various competitions that are adjudicated over the weekend, including top prizes of The Dorothy Dunbar Rose Bowl for poetry for our Club Secretary, Sandra Ireland (author of ‘Beneath The Skin’), and The Constable Silver Stag for a General Novel to Pam Turner.
Last year I was lucky enough to win the beautiful T.C. Farries trophy for a Children’s Novel, and it was with a certain reluctance that I found myself packing it up in order to pass the baton. However the consolation was that this year it was awarded to fellow Society of Children’s Book Writers and Illustrators (SCWBI) member, Sheila Adamson, so it was a bit like keeping it in the family.
Apart from the competitions and the social side, there are a number of fantastic SAW workshops to attend, and my favourite two of the weekend were run by YA authors Keith Gray and Victoria Gemmell (another fellow SCBWI). Thank you both for being so lovely and helping to turn it into such a special weekend once again. I was also able to attend an outside workshop run by editor and literary consultant, Claire Wingfield (www.clairewingfield.co.uk) and between the three of them, have left feeling inspired and keen to get back to my own work in progress.
Our keynote speaker was the very funny Helen Lederer who rounded off a brilliant conference.
If you would like to know more about Angus Writers’ Circle you can follow us on Twitter @AWCAngus, and I hope your own writing is going well.
This comes to you a little later than hoped as, like many it seems, we have been a little laid up with colds and flu over December and then we hit the madness of Christmas and the New Year. Speaking of which, Happy New Year and hope 2017 will be a happy, healthy and productive year for all of you.
Anyway, I had earlier promised to post some highlights of my recent Society of Children’s Book Writers and Illustrators (SCBWI) conference so I thought I would start with pitching, especially as this also ties in nicely with recent Twitter pitches that I have taken part in over the past few weeks.
At the conference I attended a pitching session with Benjamin Scott who said that ‘our goal in pitching is simply to excite another person about our story… whether an agent, editor, parent or reader’. Simple, huh? Why is it then that as soon as somebody asks what our book/story is about, many of us struggle to summarise it, or can turn into gibbering idiots? (I find the latter tends to happen to me, especially when you throw an agent into the mix!) He continued that ‘the expectation should be that sounds like an interesting idea, tell me more’ not ‘this is going to get me an agent, publisher, make me the next JK Rowling. These lower expectations immediately lessen the pressure.’
Pitching is therefore just presenting your work in the best possible light for maximum excitement, but you should bear the following in mind;
- You can choose to pitch – it’s never compulsory
- Relax – having a prepared pitch makes it easier to relax
- Versatility – a good pitch is useful for many things
- Creative aid – when constructing one it can act as a great developmental tool as it helps identify what’s at the heart of your book
- What is the peril, the conflict, and the consequences?
Conflict is the beating heart of the story and what happens is an expression of the conflict. So avoid listing what happens, e.g. ‘Steph goes to her brother, then her mother, and then the bank to borrow money. Lastly she goes to a drug dealer,’ and focus on the conflicts at the core of the story instead. Avoid using bespoke and confusing story language, distill the best bits, ignore the subplots and try to focus on the heart of the story.
A good pitch should introduce the main protagonist, give an indication of target audience and genre, lay out the core conflict and leave people wanting more, i.e. what is happening, to who, and why? What is at stake?
Also perhaps, is it similar in style to any other books on the market? Or can the writing style be likened to other authors (this can be particularly helpful if it is similar to another author you know the person likes, or perhaps already represents). One technique can be to use XXX meets XXX, something which is also apparently quite popular when pitching scripts to Hollywood.
You have probably heard of the ‘elevator pitch’ concept, where you should be able to summarise your book in the short space of time it would take to ride in a lift between floors (in the unlikely event that the agent/publisher of your dreams just happens to get in the lift with you). This is similar to a paragraph synopsis, which I’ve also seen some writing competitions ask for alongside your writing sample.
To challenge yourself even more, it seems that Twitter pitches are becoming more common as well. These are organised events with a designated hashtag where you have to tweet your pitch in around 136 characters (to leave sufficient room for the appropriate hashtag), and where agents and publishers are able to dip in and out and favourite any tweets that grab their attention. This is in effect an invitation to submit directly to them and skip the dreaded slush pile. A recent example was organised by Emergents CIC Ltd and XPO North in Scotland, with the hashtag #xpo (followed by the appropriate letter for your genre of book). Or look out for #PitchMAS, which takes place each December and was set up by two US authors. It’s a long-shot, but if you don’t put yourself out there then you never know!
Now, back to the conference. I’m not holding myself up as an expert by any means, but thought you may be interested in seeing what I came up with during the breakout session. In general it seemed to do the job, with both Benjamin and our surprise guest, Imogen Cooper of the fantastic Golden Egg, giving me decent feedback and encouragement.
The Maze Runner meets Alex Rider in a contemporary upper MG thriller featuring a sinkhole, a sinister cult and a secret bunker of trapped children. When disillusioned 15-year-old Will sees a sinkhole appear in their living room and swallow his twin brother and sister, this is no simple freak of nature. Sunk! is a story of siblings, where one is being hunted above ground and the others are trapped below the earth. Where can you turn when you’ve been betrayed by those you trust the most?
I’ll leave things here for now but will lay out some valuable words of wisdom from one of our keynote speakers, Sarah Davies of the Greenhouse Literary Agency, in my next post.
A couple of weekends ago I travelled to Winchester for my first ever Society of Children’s Book Writers and Illustrators (SCBWI) Conference and I’m still buzzing!
Over the next couple of weeks I’ll be reporting on the various workshops and keynote speakers (once I’ve calmed down enough to be able to decipher my notes) and hope to share some of the useful tips and words of wisdom from what was a jam-packed weekend.
One highlight for me though has to be the Mass Book Launch Party on the Saturday night, where we were invited to dress up as one of our favourite book characters. My first thought was perhaps Mary Poppins, but then the logistics of transporting the outfit, her bag and of course the famous parrot umbrella on an over eight hour train journey ruled that out.
Being a (Scottish) Harry Potter fan, my next option was very obvious. Who else could I choose but Professor Minerva McGonagall? As it turned out, I was in very good company as Harry himself was there, along with a couple of Luna Lovegoods, Professor Snape, Bellatrix Lestrange, Dolores Umbridge and even Hedwig! To make things extra special, see if you can work out who Professor Dumbledore is…
(Clue – he is someone very instrumental in bringing the world of Harry Potter to us all)