2018 So Far…

So that’s us a quarter of the way through the year already and it’s been a bit of a whirlwind. I started the year holding my breath waiting to find out the results of The Bath Children’s Novel Award, having had my YA novel, Sixteen Again, longlisted in this at the tail end of last year. You can see the full longlist announcement here: – https://bathnovelaward.co.uk/2017/12/05/2017-longlist-announcement/

I was lucky enough to attract some interest from agents and publishers off the back of this and a subsequent #PitMad Twitter pitch, so I’m keeping my fingers firmly crossed.

In January our South East Scotland #SCBWI network hosted a fabulous ‘Time To Write’ workshop with Undiscovered Voices winner, Peta Freestone (@DrPetaFreestone) where we focussed on how to prioritise our writing, plus we have lots of other fantastic SCBWI events lined up for the rest of the year (including a re-scheduled Scrivener event to be led by Caroline Deacon @writingdilemmas, which was a casualty of The Beast From The East).

Then it was on to our February Chasing Time Writing Retreat, this time focusing on editing and making your words sing on the page. The retreat was full and we had a great bunch of people attend, which made it hugely enjoyable.

Our current retreat programme is available on our website, including specialised full day retreats for the first time. We are now also offering an extensive list of writers’ services, if this is something that may be of interest… https://chasingtimescotland.wordpress.com/writing-services/

This week I’m just back from the annual Scottish Association of Writers conference held at The Westerwood Hotel in Cumbernauld. This was my fourth year and I’ve been lucky enough to maintain my record of being placed in the competitions they run each year, as well as being a previous winner of the T.C. Farries award in the children’s novel category. This year’s highlights included being awarded a highly commended in the YA category by novelist Claire McFall @mcfall_claire, attending workshops run by her and the wonderful Lari Don @LariDonWriter, and my writing group, Angus Writers’ Circle (@AWCAngus ) sweeping the board in the poetry competition, which has never been achieved by any club before. We’re particularly proud of our own Chasing Timer, Sandra Ireland, who brought back the poetry trophy for the second consecutive year. We also enjoyed a keynote speech by the very funny Simon Brett.

After all that, I think I need a bit of a lie down. Or, even better, a way to stop getting distracted by social media so that I can crack on with my current WIP, another YA novel that weaves themes of bullying and broken homes with elements of Norse Mythology.

Happy writing everybody!

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2017 – A Year In Review

As we come close to the end of 2017, I thought I would share some of my writing-related highlights in what has been a busy and eventful year. I hope your year has been a good one too, and I love reading about what everyone is up to.

In February I was lucky enough to visit Ruth Bennett at Stripes Publishing and have a tour of the offices, finished off by a chat about my upper Middle Grade book, Sunk!, which I was editing at the time. She was lovely and encouraging, and I was in my element surrounded by all those books and the whole publishing process.

This was followed in March by the annual Scottish Association of Writers’ Conference at the Westerwood Hotel in Cumbernauld, which I attend with a contingent of Angus Writers’ Circle friends, and which is always a high point of my writing year. Thankfully I kept up my record of being placed in their competitions this year too.

Each month I also attended my SCBWI (Society of Children’s Book Writers and Illustrators) YA critique group in Edinburgh, as well as a number of  fab SCBWI workshops and seminars throughout the year. A major highlight however, had to be getting asked to become the joint co-ordinator for the South East Scotland network with the wonderful Sarah Broadley ( @sarahpbroadley ) and we’re really excited about all the plans we have lined up for the coming year.

August of course brings the Edinburgh International Book Festival and all the amazingness that entails, and I was lucky enough to manage to get through for quite a few different events this year.

Then September was a notable month for two fantastic reasons. The first of these was the official launch of our Chasing Time Writing Retreats with our inaugural retreat taking place over the last weekend of the month, which saw all of our plans and hopes come to fruition. It’s fantastic working with two such lovely fellow writers and hopefully in 2018 we’ll go from strength to strength. Our next retreat in February is already down to only one remaining space, which is so encouraging. Watch this space for further writers’  services and offerings coming soon…

It’s also gratifying that we’re starting to have our work recognised, especially Sandra‘s shortlisting for the Saltire Society Literary Awards First Book of the Year with #BeneathTheSkin and Dawn’s many journalistic achievements, as well as her signing up with a literary agent for her YA novel, which is currently out on submission. For myself, I am beyond thrilled that my own YA manuscript has been longlisted in The Bath Children’s Novel Award, and I have less than a week now to find out if it’s made the shortlist – eek!!

The other brilliant thing that happened in September was a Bronte field trip with three of my fellow ‘Novellers’ (we meet most months and exchange chapters and feedback for our current works in progress) to Haworth, where we were each lucky enough to write a line of Emily Bronte’s Wuthering Heights as part of artist Clare Twomey’s ( @CTwomeyStudio ) project to re-create the long lost manuscript.

Rounding off the year was a visit to Aberdeen for the launch of Granite Noir with a poisoned cocktail party – never trust writers!

Who knows what 2018 will bring, but I’m off to make some writing goals/resolutions (including blogging more regularly and updating my Goodreads page more often, as well as tackling a whole new manuscript, which is only at the very faint general idea stage in my mind at present). I hope you all have a happy, healthy and successful year and wish you all the best with your own writing goals.

 

In Pursuit of the Strange and Curious…

Our next retreat focuses on settings and characters, drawing inspiration from some gothic writing of the past. Here’s a little teaser from Sandra to whet your appetites…

Source: In Pursuit of the Strange and Curious…

Inaugural Retreat Success

Here’s our latest Chasing Time blog post following our first retreat last weekend, which went even better than we could have hoped for. We’ve already had three 5* reviews (which are included at the end of the post), and are looking forward to doing it all again in a few weeks time!

Source: Inaugural Retreat Success

Hello and Goodbye August! (And all the bookish things in between)

Well, August came and went pretty quickly, huh? But what a month it was. Between managing to get lots of writing done on my own YA novel, Sixteen Again, whilst on holiday, to coming home and launching straight into the fabulous Edinburgh Book Festival, then formalising lots of arrangements for our first Chasing Time Writing Retreat in Angus at the end of the month, it’s been all go.

The Edinburgh Book Festival has quickly become a highlight of my literary year, and this year I was lucky enough to include an overnight stay in Edinburgh and to attend lots of author events, as well as two SCBWI (Society of Children’s Book Writers and Illustrators) crit groups in the Spiegeltent. Special mention has also to be made of the Unbound evening on the 18th, where singer/songwriter Genevieve Dawson ( @gdawsonmusic ) and novelist Sarah Perry ( @_sarah_perry ) in particular were amazing. (Watch out for Sarah’s book coming out – the writing is beautiful and I was seriously holding back tears by the end).

It was also the first time that I had heard Matt Haig speak, and he had us all spellbound, even as it was touch and go at one point as to whether the Bosco Theatre venue would be blown away by the fierce winds outside. And of course, there was the sold out SCBWI event, The Great Gender Debate, with authors Jonathan Stroud, David Leviathan and Kathryn Evans, ably chaired by the South East Scotland SCBWI Coordinators, Sarah Broadley and Anita Gallo.

I even managed to squeeze in a visit to Blackwell’s Writers at the Fringe to support my lovely author friend, Sandra Ireland, who was one of five authors reading from their books. (Check out ‘Beneath the Skin’ by Sandra if you love a slice of gothic noir and fantastically well-written novels).

So that brings me smoothly on to the writing retreats that Sandra, Dawn Geddes and I are launching, with the first one being at the end of this month. It’s come round fast and we’re really looking forward to welcoming all our guests soon. The venue is superbly atmospheric and bound to inspire, and I might even be able to squeeze some more of my own writing in over the weekend too!

The Chasing Time team

For more information go to http://www.chasingtimescotland.wordpress.com/retreats

Hope your own writing/reading is going well too – bye for now.

My Newest Favourite Writing Nook

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I have just returned from our summer holidays where I was lucky enough to go on a cruise around Italy, France, Spain and Portugal (it was soooo hot!) I was looking forward to the break for obvious reasons, as well as perhaps one huge not so obvious one. Having cruised before, I know how much my two love going to the onboard kids’ club on days at sea and making new friends. It’s great seeing them happy and excited, but there’s an added bonus for me too. Metime. My husband is also happy to relax and do his own thing on these days, so it leaves me lots of time to write.

The ship only had its own library – #bliss

 

 

I managed to get more of my work in progress (Sixteen Again) written in those five days than I’ve achieved over the past month and a half of the school holidays, and it felt good to go old school and write longhand as well. Now I just need to type it up and see if any of it makes sense!

Hope your own writing is going well.

 

 

 

 

Chasing Time Writing Retreats

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As per Sandra’s post on her own website, which I shared here earlier this month, I have more exciting news about the launch of our tutored residential writing retreats.  Two writing friends and I have set up Chasing Time Writing Retreats in a beautiful and quirky Scottish country house, and are excited to share our passion for writing with others. The programme is now up and running and we have taken our first bookings.

Having been lucky enough to go on various writing retreats myself, I know how valuable it can be to escape the everyday routines and commitments you may have at home, and be able to concentrate solely on developing your writing. In Rosely Country House Hotel, Arbroath, we have found the perfect place to host our retreats, with its uniquely atmospheric setting sure to provide writing motivation around every corner.

If this is the sort of thing that appeals, why not click on the link below and check out the rest of our website? We’d love to see you there. 🙂

Source: Retreats

Scottish Association of Writers Annual Conference 2017

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I’m just back from this year’s Scottish Association of Writers Conference at The Westerwood Hotel (@TheWesterwoodQ) in Cumbernauld. And what another fantastic weekend it has been! The SAW Council work hard to put on such a great event and this year we had the biggest turn out from our writing group, @AWCAngus since I started attending a few years ago. It’s so good to be able to spend more time with friends and get to know each other better, as well as just generally soak up the buzz of being in the company of like-minded people. The icing on the cake is that we again came away with some prizes and placings in the various competitions that are adjudicated over the weekend, including top prizes of The Dorothy Dunbar Rose Bowl for poetry for our Club Secretary, Sandra Ireland (author of ‘Beneath The Skin’), and The Constable Silver Stag for a General Novel to Pam Turner.

Last year I was lucky enough to win the beautiful T.C. Farries trophy for a Children’s Novel, and it was with a certain reluctance that I found myself packing it up in order to pass the baton. However the consolation was that this year it was awarded to fellow Society of Children’s Book Writers and Illustrators (SCWBI) member, Sheila Adamson, so it was a bit like keeping it in the family.

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Apart from the competitions and the social side, there are a number of fantastic SAW workshops to attend, and my favourite two of the weekend were run by YA authors Keith Gray and Victoria Gemmell (another fellow SCBWI). Thank you both for being so lovely and helping to turn it into such a special weekend once again. I was also able to attend an outside workshop run by editor and literary consultant, Claire Wingfield (www.clairewingfield.co.uk) and between the three of them, have left feeling inspired and keen to get back to my own work in progress.

Our keynote speaker was the very funny Helen Lederer who rounded off a brilliant conference.

If you would like to know more about Angus Writers’ Circle you can follow us on Twitter @AWCAngus, and I hope your own writing is going well.

 

 

 

 

AN INSPIRED CONCEPT, THE CRAFT OF WRITING & A SCBWI AGENT KEYNOTE ADDRESS

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As promised, here’s another post borne out of the fantastic SCBWI conference held in Winchester at the end of last year. This time it is to share words of wisdom, hints, tips and an agent’s insider perspective in to the world of trying to be published in children’s fiction. The keynote speaker was Sarah Davies of The Greenhouse Literary Agency and her talk was both enlightening and inspirational for those of us plugging away with our writing for children and young adults. I hope you similarly find some of the following to be of interest…

In 2007 Sarah had been working in UK publishing for many years but was engaged to an American and felt it was time to move on.  She saw this as an opportunity to create a transatlantic literary agency and so The Greenhouse Literary Agency was born.  They have around 70 clients, are also very active in the film and TV world and love to nurture talent.  Their mantra is ‘we represent authors and not just books’.

She views them as talent spotters, but also as developers of talent. Writing comes out of who you are, “you could give me half a page of writing by any of my clients and I think I could tell who wrote it.”

Voice is the first thing they look at and they use this to base their decision as to whether or not to go on and take on a client. “Train yourself to pick up colour and cadence of voice as if you were Mozart. Everyone can improve their voice and listening is the best way to do it.”

So what does it take to succeed in today’s marketplace?

They receive between 10,000 to 15,000 submissions per year so potential authors need to produce something that is seriously attention grabbing.  Ask yourself, ‘how do I find my edge?’  The most common rejection is, ‘I didn’t love it enough’.  Therefore, how can you write something that can get under the skin of the publisher?

If you aren’t writing because you love it and really can’t not write, then the business can really sap your spirit – it’s as much about passion as it is anything else.

Two words dominate every day of her life (and also where she chooses to invest her time, as time is the most difficult thing to manage as an agent):

CONCEPT & CRAFT

These come before everything.

So, what is an inspired concept – how do you know if you have one, and are there any ways to help you find one? Is there something that makes you sit up?  It’s simple and easy to describe.  ‘Almost viral’.

One key could be a useful little phrase – ‘what if’. (Perhaps it can be based on something that hasn’t happened but could have). This can help writers think in less predictable ways.

Any concept, as with the writing itself, needs to have big emotional and intellectual scope.

Look at the tip of the story iceberg and know that underneath the water everything else is waiting to be discovered and explored.

Does the concept give you enough to work with or is it too thin?

A great concept is a ‘hook’ – when you pitch your book you are going fishing to catch agents and they need that hook to catch editors.

The good news is that agents are desperate to be hooked and are looking all the time.  Notice people’s body language and you will soon pick up who is hooked by your concept.

What should we be thinking of before we even begin to write? At this point I think one of Sarah’s presentation slides summarises it perfectly:

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Plant seeds of writing – things to think about before you even begin to write:

Conflict and character – need to try and know your character at a deep level and certainly before you write page 1.  For writers this starts way before the actual writing – characters are real, they exist.

Also consider the sense of place as this can give a wonderful sense of reality.

Build a story on great foundations.  Maximise how efficiently you work – writing to find your story is very time consuming although it may work for some people, but best to have an idea of your story before you start.  A rudimentary outline can help you home in on what you’re trying to do.  Try to write with focussed intention so you know what you’re trying to achieve.  Experiment with structure, point of view, tense.  Write three chapters then stop and look again. Who is story for?  Age group and core reader?

Your goal as a writer is to sprinkle fairly dust over your topic, not tell everything you know.  You are looking for a reaction.  What are you trying to say?  What are you going to leave the reader with after the final page?  (But not in a didactic way).

One of the key things that will be embedded in a great concept is HIGH STAKES. What you give us has to matter, you have to make it matter.  A great story will make a reader ask, ‘what if I was in that position, what would I do?’  From her many years as an agent she knows that we have a driving need to have others go there for us. Many submissions they see don’t have high enough stakes.

There are elements of the thriller in every story and it is the writer’s job to make us turn the page.

Try to spin an idea differently to how anyone else has spun it before.  E.g. Jay Asher’s ‘Thirteen Reasons Why’ stands apart because the girl in question is almost entirely off stage and it’s all about the aftermath. It also has a compressed time frame so it reads like a thriller rather than an issues led story.

Another example is Lauren Oliver’s ‘Before I fall’, where the protagonist comes back to live her final day six times over, and each time comes closer to understanding herself/being compassionate/learning to love, until she’s ready to let go.

Both stories reveal in a deep sense what it feels like to be human.

Writers need a great idea, but it needs to feed through to something else, so needs to have a deeply felt theme – people have to relate to the story and its underlying characters.

One of Sarah’s favourite quotes is, ‘In an extraordinary story, in the very best stories, we don’t just discover more about the characters, we discover more about ourselves.’

Other notable quotes come from Picasso, who said, ‘Art is the lie that enables us to discover the truth’, and L P Hartley, ‘It’s better to write about things you feel than about what you know.’

Writing great fiction isn’t about, or from, your intellect, it’s about your emotional response.

“Write something without any expectation of someone reading it and write from the white hot centre of your subconscious.” However you write your story it has to come from a place of passion inside.

Your story needs to give you a USP – without this it will struggle to stand out and editors would struggle to put it across to booksellers.  The aim is to deeply get the chaos of being human and everything it comprises and then be able to create a unique story framework to create order from the chaos.

Consider finding new ways to see things.  ‘Significant detail’ is important – pick out the specific to create the emotional impact. This puts me in mind of the famous quote by Anton Chekhov, “Don’t tell me the moon is shiningshow me the glint of light on broken glass.”  (One of my own favourites).

Stay current – read and read but don’t be derivative.  (It’s also useful to keep abreast of what is happening – subscribe to the Bookseller?)

Summary : 

  • Wow factor
  • What if?
  • Big questions
  • High stakes
  • Spinning ideas differently
  • A deeply felt theme

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“Write it, put it away and forget about it, then when you get it out again ask yourself these revision questions”.

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Sarah often says to clients when they’re out on submission to not write for two weeks as she feels they also need ‘thinking time’.

I’ll leave you with this thought…

“Go to your desk as if it’s the last day of your life, and then write as if you have all the time in the world”.